Creativity Days

Creativity Days featuring great design, architecture, fashion, graphics and innovation from across the globe.

 

Graphic

Explore 745 award-winning designs tagged Graphic on Creativity Days.

Listening to Transparency Exhibition of Sound Art

Xulei Li Exhibition of Sound Art Graphic

Listening to Transparency

Listening to Transparency is the visual identity for an exhibition of sound art that presented 44 audio and visual works. The design is based on circular waves that represent sound sources. The waves vary in angle, curvature and colour. The titles are silk-screen printed on transparent PVC in a graduated dot grid, while the waves are printed on cotton paper with Risograph technology. The two layers combine into one image, and turning the printed page reveals the waves. The transparent look reflects the materials used in the artworks and the fleeting nature of sound.

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Nirvana Corporate Identity

Viana Patricio Barbosa Neto Corporate Identity Graphic

Nirvana

Nirvana is a corporate identity created for a space for meditation and holistic therapies. The design is based on simple geometric shapes arranged on a grid system to keep symmetry and balance. The logo combines the infinity symbol, the lotus flower and a meditative posture. The wine red colour refers to Buddhist garments, and the yellow colour refers to the ornaments used in monasteries. The identity was drawn as vector artwork, so the logo can be reduced or enlarged without loss of detail and applied to print and digital media.

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Kong-Ke Museum Visual Identity

googoods Visual Identity Graphic

Kong-Ke Museum

Kong-Ke Museum is a visual identity for an exhibition venue in Taichung, Taiwan, that also serves as a rest station for construction workers. The logo forms characters with short strokes, leaving them unfinished. The unfinished form refers to the transitional feeling of a construction site. The guidance system uses materials found on site, such as formwork, scrap wood, circular saw blades and plastic water pipes. Paint buckets filled with cement, water pipes, polycarbonate wave boards and gloves mark positions within the space. Posters are screen printed on cement bag packaging.

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Umano Brand Identity

Ruis Vargas Brand Identity Graphic

Umano

Umano is a brand identity created for a hotel bar in Sao Paulo, Brazil. The identity draws on cultural anthropophagy, a literary concept that joins humor with the free reinterpretation of outside influences. The project includes a logotype, business cards on 300 gram offset paper, a menu, a bag, surface design and posters printed on 75 gram offset paper and glued to interior walls. Graphics and architecture combine to form visual narratives that reinterpret city sights and local poems. The aim is to move away from the formal tone of traditional hotel bars.

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Feral Horses Corporate Identity

Emanuele Grittini Corporate Identity Graphic

Feral Horses

Feral Horses Brand Identity is a corporate identity designed for a company that works in the contemporary art investment field. The identity speaks to three audiences: art enthusiasts, professional traders, and curious achievers. A single pictogram brings together the artistic and the financial sides of the brand. The logo and its variants are pixel perfect, so the mark stays clear and recognizable. The colors were defined with the Pantone system and then converted to sRGB and CMYK. The selected fonts work both in print and on screen.

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Low Classic Brand Identity and Typography

Yaman Hu Brand Identity and Typography Graphic

Low Classic

Low Classic is a brand identity created for an independent fashion label. The identity is inspired by fashion magazines of the 1980s. A muted color palette and a layout that breaks the grid are used. The typography is exaggerated and combined with elegant curves, and it forms the main visual language of the brand. Both printed and digital materials are included, such as posters, social media graphics, e-mails and web banners. The printed collaterals are produced on recycled paper without polluting dyes. The aim is to give a vintage look a refined digital form.

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S oil Total Calendar Illustration

Seung woo, Park Calendar Illustration Graphic

S oil Total

He designed a calendar illustration. In this calendar design, various environments and elements using refined oil were expressed as a plan composition. It is depicted as a vehicle and a motorcycle, which are representative means of transportation. And it was designed according to various factors such as city, natural, Environment and weather. It is a graphic design of a new expression method that combines style and computer graphics worked in a way using a brush, a traditional Republic of Korea painting technique.

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Avgoulakia Sales Kit

Antonia Skaraki Sales Kit Graphic

Avgoulakia

Which came first: the chicken or the egg? That's the first question that usually has to be answered, but in this case there was another question too. When you want to taste a classic product in an unexpected and different way, what do you need? Well, first of all, an unexpected presentation that can stand out. That is what had to be created for the Avgoulakia brand, through a creative concept that could convey the uniqueness of the brand in a modern, different and playful way.

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System BX Design Renewal

Plus X BX Design Renewal Graphic

System

System is a brand identity design created for a clothing label that serves people of all genders. The identity is based on the concept of an attitude archive, described as a place that stores attitudes for many moments beyond style. A module formed by dividing a square in half stands for one attitude, and several modules together express the archive. The module is applied to advertisements, tags, labels and packaging. The logo is printed with a white foil press, and the symbol is tooled for a refined look. The visual language is kept neutral and clean.

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Benin Branding

Anja Zambelli Colak Branding Graphic

Benin

Benin is a brand identity created for a family-run coffee company with more than 30 years of experience. The identity supports the expansion of the coffee shop business into a franchise model. A smiling Cherub icon serves as the central symbol, referring to the Renaissance and to Italy, the homeland of premium coffee. Bright pink, blue, yellow and red tones and a texture of angelic clouds carry a cheerful mood. To-go cups and paper bags are printed on natural paper with CMYK offset, while metal tins preserve coffee quality.

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Jie Yi Couture Branding

Yiwen Tu Branding Graphic

Jie Yi Couture

Jie Yi Couture is a brand identity created for a couture studio in Shanghai. The Chinese character Jie means to solve and to deconstruct, while Yi means one, unity and consistency. The logo is built with Chinese typography, and parts of the characters are replaced with symbols of a mannequin and scissors. Pattern-making sketches form the main visual element, and their lines, curves and notes create a detailed pattern. The identity is applied to packaging offered in several sizes. The design conveys craftsmanship and a semi-custom tailoring service.

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Public Health Beyond Borders Visual Identity Program

Yoske Mitsui Visual Identity Program Graphic

Public Health Beyond Borders

Public Health Beyond Borders is a visual identity program created for a group of students and faculty that addresses health needs in partnering communities. The mark uses five colors. Green and blue reflect a global outlook, while red, yellow and black refer to the University of Maryland origins of the founding chapter. A circle at the center represents unity and partnership. The wordmark is matched to the university primary typefaces. The logo is simple, scalable and modular, and it works in one color and at many sizes in print and digital media.

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